This record is a great toke out essential.
This record is a great toke out essential.
I had the lights off and started the album back up before I went to sleep. "The Eater of Dreams" was playing and I was kinda getting scared.
One of my favorite moments is the ominously resigned whisper "so weary eyed" in Satellite. Not only is the best heard with headphones, but goddamn that line so perfectly encapsulates anxious paranoia. Who's more weary-eyed: the satellite doing the endless watching hoping to catch a slip, or the protagonist losing his mind out the back of his head? I geek out on this kind of double-meaning. Awesome, awesome line.
I was trying to catch up on this thread but I had to stop twice to get up and dance. GodDAMN, I love this album.
I'm tempted, at some point, to listen to TDS and then HM, if only to better pick up on the parallels. So much of the album, especially towards the end, feels like coming to realization that coming back from a dark, shitty place, is a hard thing, but a good thing, and that it doesn't mean your life is over. I'm really interested to hear the interview on the deluxe edition.
I will say that, lyrically, Satellite could totally fit on Year Zero. OMGWTFARG
Schweet schex! TR just made the album available to stream on iTunes for free:
http://t.co/r7kXFdf9IF
(Not sure if ^ will link to it.)
Great, though--I technically didn't listen to the album's entirety. Just skipped around on the track-player here and there, get just a little glimpse into what everyone's been talking about.
I caved--but it's not spoiled in a big way, just yet!
(Apparently US only)
iTunes finally has a stream for the entire album (US only). I suppose this will be helpful to those fans who've heard the buzz about the leak, but aren't savvy enough to find a download.
http://nineinchnails.tumblr.com/post...ation-marks-in
"Listen to the new NIN album Hesitation Marks in its entirety RIGHT NOW, a week early, via iTunes (US only) here."
"Yesterday I found out that the world was ending," has got to be one of the catchiest lines trent has sung in a long time, and it's only a verse!
I don't know if it's just me, but Various Methods of Escape makes me want to cry. AND I'M A MAN DAMMIT.
Satellite should have been a single, not everything. (not a hater of everything)
This is totally weird for me to see this comparison. Ever since the moment I saw "Right Where it Belongs" played live in 2005, I first thought of Peter Gabriel/Phil Collins/Genesis. Never noticed it until then but as I listened to a lot of older NIN tracks, I could hear it more and more. No one I knew shared that opinion.
Then with that powerful mental image/moment in my mind from that 2005 show, a few months later I had dropped some amazing acid and heavily experienced synthesia. I was alone, listening to the last four tracks of With Teeth on headphones and as "RWIB" peaked, I saw a giant Trent Reznor statue head (reminiscent of Legends of the Hidden Temple) come out of a colorful waterfall to deliver the "you can live in this illusion" line. My mind sort of connected the imagery of a Stephen Johnson directed video.
http://ninein.ch/NINHMStream Now officially streaming.
GOD DAMNIT I WAS SO CLOSE
Well, Trent really knows how to fuck an eardrum.
Knowing the background story to this album, it really does feel like it's sort of a parallel universe to the older era albums. It's very familiar, but something's a little off. Not necessarily meaning bad, just different.
Songs I had to give a second (or more!) listen:
Satellite (HOSHIT- 1 nip slip away from being as sexy as Greater Good)
All Time Low
Black Noise
Copy of A
Hrrmm. For me, it's more about desperation and surrender.
The song is about the fight for sobriety, bartering with God for strength and direction, struggling to leave behind the demons and forge (and find) a new path.
What does it mean to have been everywhere/everyplace? He's hit bottom as an addict. I think in the context of the song, he's also exhausted his ability to hold things together based on sheer will. He's admitting powerlessness (at the "Let Go and Let God" stage).
Am I the only one who hears a saxophone in Find My Way, in the back of the mix toward the end? Or is that something else? Everyone's making OMG SAX about While I'm Still Here, but to me it debuts earlier in the record.
Interestingly both songs feature a prominent deistic faith element too.